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Despite the remaining uncertainty
surrounding the drawing’s imagery, I found this potential association to be
synchronous with the scope of treatment to be undertaken, offering the
opportunity to face many of the condition issues that test even the most
experienced of paper conservators. The process of removing the secondary and
tertiary layers was eased with the aid of a rigid gel, which allowed for the
gradual introduction of moisture to soften the aged animal glue binding the
layers of paper together. After bathing, the clarity of the drawing has
improved drastically, allowing for the delicate rendering of the distressed
facial expressions and the contortion of the falling bodies to be viewed with
greater legibility. The stiff and tenacious adhesive that remains on the back
of the primary support will be addressed with further mechanical reduction. The
losses and tears, now revealed, will be filled with a blend of paper pulps
formulated to achieve a tone and color similar to the original. Treatment is
still ongoing, but once completed the primary support will be stable once
again, and it is my hope that the renewed intelligibility of its lines will
spark the potential for future visual and scholarly interest in the drawing.
At the
beginning of this blog post, I mentioned my love of paper, and this is often a
sentiment I find difficult to communicate. Its ubiquity belies its ultimate
value to us. Paper takes up little physical room in our lives, and yet, it
carries the words and images of our past through the centuries and into the
shared spaces of today’s museums and galleries, the familial spaces of our home
scrapbooks and albums, and the personal spaces of our letters and diaries. A
sheet of paper can store mysteries yet to be solved, represent tales of
transformation, and, at its beginnings, be a blank slate for stories yet to be
told. My time at the Morgan Library & Museum has been, symbolically, a bildungsroman in paper conservation—a time of education, development, and maturation, and I
am excited to see what will be on the next page.
— Jacklyn Chi, WUDPAC Class of 2018