Upload new images. The image library for this site will open in a new window.
Upload new documents. The document library for this site will open in a new window.
Show web part zones on the page. Web parts can be added to display dynamic content such as calendars or photo galleries.
Choose between different arrangements of page sections. Page layouts can be changed even after content has been added.
Open the Navigation Management window, which can be used to view the full current branch of the menu tree, and edit it.
Move this whole section down, swapping places with the section below it.
Check for and fix problems in the body text. Text pasted in from other sources may contain malformed HTML which the code cleaner will remove.
Accordion feature turned off, click to turn on.
Accordion featurd turned on, click to turn off.
Change the way the image is cropped for this page layout.
Cycle through size options for this image or video.
Align the media panel to the right/left in this section.
Open the image pane in this body section. Click in the image pane to select an image from the image library.
Open the video pane in this body section. Click in the video pane to embed a video. Click ? for step-by-step instructions.
Remove the image from the media panel. This does not delete the image from the library.
Remove the video from the media panel.
Aidi Bao received an MSc in Archeological Materials Science from the joint European Erasmus Mundus Program (University of Evora, Aristotle University of Thessaloniki, Sapienza University of Rome, University of Pisa) in 2015, with a focus on material and technical studies of oriental lacquerware. Before that, she earned an MEng in Architecture in 2013 and a BArch in 2010 from Tsinghua University, Beijing. Since 2015, Aidi has worked as a conservation scientist and project specialist for a condition survey and assessment of National Major Historical and Cultural Sites in China. Her projects included the areas of digital measuring and mapping, field documentation, diagnostic investigation, and scientific analysis.
Aidi passed her exams in June 2020, and her proposal presentation in April 2021, and is now working on her dissertation. Her advisory committee members are Vimalin Rujivacharakul, chair, (ARTH), Susan Buck (ARTC), Catherine Matsen (ARTC), John Watson, (musical instruments, retired from Colonial Williamsburg), and Keats Webb (Smithsonian's Museum Conservation Institute).
TOPIC: The Re-invention of Guqin Craquelure: The Making and Collecting of Guqin in Late Ming China, 1500-1700
Aidi is interested in the unique aesthetic value of Guqin (a wooden musical instrument coated with lacquer-based finishes) craquelure in Chinese culture. Instead of being considered defects, the fine crackle pattern is believed to enhance the instrument's timbre and beauty. Specific crack network patterns have been noted and correspond to dating/market price by Guqin masters and connoisseurs. Many Guqin instruments have been produced that are forgeries, imitating the valued craquelure pattern. It is a complex socio-cultural phenomena, but few focused studies have been carried out on this topic. Aidi's research will attempt to clarify the interaction between Guqin craquelure patterns and material choices/manufacturing techniques, and to evaluate the reverse influences of craquelure connoisseurship on lacquer art traditions. Her dissertation will have an interdisciplinary approach including case studies, scientific analysis, and artistic interpretation in the context of material culture and preservation studies.
Move this whole section up, swapping places with the section above it.
Left: Detachment checking of wall paintings in Qinglong Temple, Jishan,
Shanxi Province, China. Right: Sample collecting of architectural
painting in Baolunge Chengkan Anhui Province, China.