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Although I have only been at LACMA for two weeks now, I have
already jumped in to preventive conservation and gallery maintenance
activities, writing condition reports for outgoing and incoming loans, and
treating several objects. Last week I took part in the installation of a case
of pamphlets and bound materials to accompany a graphic design show, “West
of Modernism.” The exhibit showcases the work of local California graphic
designers from the 1970s to the 1990s, and as with exhibiting the FAMSF books,
the aesthetic beauty of the objects should not be obscured by clunky mounts. Custom-made
minimally visible systems designed with Vivak, polyethylene strapping, and
sanded Mylar clips ensure the object is safely displayed without detracting
from its visual appeal.
One treatment I began involves loss compensation, as with
the FAMSF print, both to stabilize and enhance the aesthetics of the object. A
20th century linocut by Leopoldo Méndez will be
going on loan and requires treatment to address the brittle and fragmented
newsprint support. I have surface cleaned and bathed the object in preparation
for lining, which is not always common with works of art on paper. In this
case, lining the object with a supportive layer of Japanese paper and wheat
starch paste will stabilize the numerous edge tears, fill
the large losses, and allow for easier handling and hinging. The lining paper
will be selected to emulate the light brown color of the aged newsprint support
so the losses are not as readily apparent.
So far my internship experiences are as varied as the
objects I have come across – and just as valuable! – with commonalities that
link them together across cities and institutions. My internship at FAMSF
taught me a great deal about the life of a conservator in a fine arts museum,
and I look forward to a successful year ahead at LACMA as well.
— Madison Brockman,
WUDPAC Class of 2019