BACC is undergoing a realignment: who they serve, what they are preserving, and what the context is in their work. "For us as an institution, it's an opportunity to be more active members of the community," said T. Hampton Dohrman, BACC's advisor.
Garcia said that they are ready to receive and consider any types of art, and their process will vary based on each piece. Is it portable? Does the artist want it preserved? What are the materials used?
"Do you want to show the history of the object, or do you want to show the wear and tear?" Garcia said. "These objects have been through a lot. If you’re looking at a sign, has it been folded, has it been tied to a car, has it been tear gassed? What part of it do you want to preserve, the physical object or the history of it?"
Garcia said that each of those questions — and countless more — dictate the methods the preservationists use on each piece. She also said that certain things can be observed directly from the art (acrylic spray paint has a different spray pattern than other types, for example), but mostly they'll look for collaboration with the artists and communities to learn the histories and intricacies of each work.
Ultimately, she said, this project will also tackle questions of ownership. "Historically, ownership has been a problematic thing for museums and collecting institutions," said Garcia. The artist, and the community that the art belongs to or dwells with will be the priority, she said.
Items such as protest signs, mural-adorned plywood storefronts, graffiti, protest flyers, zines and more are some examples of the types of work BACC and ARTS imagine for the project. But the digital space — like Instagram stories used as organizing methods, digital photography, Snapchat and more — will play a role too. While BACC doesn't specialize in digital archiving, that is something they can collaborate on.
Additionally, James Halliday, ARTS executive director, said that preserving the performance and process element of protests is also a critical component to elevating community social justice art. "Maps and routes for some of the caravan protests, selection of sites, the coordination efforts ... There’s a choreography to that," Halliday said.
To learn more about the projects at BACC, read the full KPBS article here. The BACC project page can be found here. Organizations and individuals who would like to share protest art for consideration can email BACC at communityarts@bacc.org.