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Cleaning
Surface dust is of particular concern for many instruments because intrusion of dirt can affect playing mechanisms. Dirt can also attract moisture, which encourages corrosion of metals and mold on leather or wood. To limit dust, cover instruments or keep them in their cases as much as possible. Keep piano keyboards covered with the fallboard in the down or closed position, and the lid of grand piano soundboards down when not in use. Gentle dusting with a soft, natural-bristle brush or dry microfiber cloth can be used on some components such as piano keys, or the insides of wooden stringed instruments like guitars where the opening is large enough to access. Avoid using water or vacuuming an instrument directly by allowing a vacuum nozzle to touch surfaces. Some wind instruments with smaller, accessible parts can be dusted on the interior by threading a soft, lint-free cloth tied to a string through the large components. This should be undertaken with the utmost care; do not force the cloth through a too-tight space. The sound holes of wind instruments are very fragile, and the sound quality of an instrument can be easily damaged. On brass instruments, do not reach for commercial metal polishes if you notice corrosion. Not only does polishing always remove some of the metal surface and can damage the appearance, but it can also adversely affect the actions of other moving components like valves and stops if any residue is left behind. When in doubt, leave the dust alone and consult a conservator or a specialist for that musical instrument.
When to Seek Treatment Advice from a Specialist
Any interventive treatment, especially restoration or repairs that bring an instrument to a playable condition, should be undertaken by a specialist. Specialists for musical instruments might include a conservator with expertise in musical instruments, an instrument restorer, or an instrument maker with experience in your specific instrument type. While preventive maintenance can usually be undertaken at home, it is always best to consult with a specialist first. The specific risks and needs of various musical instruments can vary widely, and it is always better to wait to intervene rather than risk harm. During consultation, ensure the conversation with your chosen specialist includes a firm understanding of the instrument’s historical, material, and personal significance to you. Like Dolly Parton’s banjo, shown above, old repairs, damage, or even dirt and grime can retain historic or personal value. Always pause to consider if the condition is indeed harming the instrument, and explore alternatives to full restorations, refinishings, or significant cleaning campaigns. Research the maker and the instrument type if you have that information, and do not assume that you and the specialist undertaking the repairs will approach a treatment with the same goals. It may take a few conversations to understand each other’s goals, and it is important to take this time. Some approaches to restoring an instrument to playing condition completely remove historic finishes or original functional or decorative elements, which may not align with your goals for the treatment and may not be necessary to make the instrument playable. Even a very old instrument can often be playable while still retaining original surfaces and parts which may be preferable for historic or personal objects.