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Student Blog: Hirshhorn Museum and Sculpture Garden

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A student sits at a table and uses a soft brush to remove dust from a beaded basket.

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​WUDPAC Class of 2022 Fellow Abigail Rodriguez​​ treating the beaded basket.

​I am spending my third year of study in sculpture conservation at the Smithsonian's Hirshhorn Museum and Sculpture Garden (HSMG) in Washington, DC. Also known as the National Museum of Modern and Contemporary Art, the Hirshhorn has a vast collection of postwar and contemporary art. As a sculpture conservation intern, I am working on a variety of projects to support the museum's exhibitions, loans, and collections maintenance.

As an objects major with a textile minor, many of my projects have been composite, requiring an interdisciplinary mindset. One of these projects is the documentation and treatment a 2009 Soundsuit by artist Nick Cave.

​This piece is an 11-foot-tall wearable sculpture that includes a knit bodysuit, sequin-covered metal frame, 64 beaded baskets, and a painted papier-mâché “Easter Bunny". As the work is slated for an international loan later this year, a comprehensive condition assessment was conducted. Given that many of the elements in Cave's sculpture are found materials, the current condition of each element of the work was carefully examined and documented.​​

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Installation of the mixed-media suit, placed on a mannequin on a pedestal.

​Overall image of the artwork installed at HSMG.​ Title: Soundsuit, Date: 2009, Artist: Nick Cave, Accession Number: 09.21. Image courtesy HMSG.​

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​To prepare the artwork for loan, minor stabilizing treatments were performed on the vintage papier-mâché bunny and beaded baskets. The treatment of the papier-mâché bunny included localized consolidation of lifted paint on the Easter egg and ears.

​The baskets, constructed from plastic beads on safety pins, were dusty overall with areas of localized corrosion. Several of the baskets also had balls of degraded Styrofoam on the interior holding beaded wire bouquets. To treat these unique pieces, all 64 baskets were surface cleaned, and areas of corrosion were reduced. In consultation with the artist's studio, the degraded Styrofoam was replaced with carved Ethafoam. ​​

The composite nature of this project has been a wonderful foray into the conservation of modern and contemporary art.

— Abigail Rodriguez​, WUDPAC Class of 2022​

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The student uses gloved hands to handle the beaded basket and contents.

​Abigail examining a beaded basket from the sculpture.​

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The beaded basket and contents separated and laid on a table.

​The basket disassembled during treatment.

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Detail image of cracks in the paper mache covering of the Easter egg.

​Detail of paint loss and lifting material on the egg.

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The student uses a small brush to apply adhesive to lifting paint on the Easter Bunny head.

​Abigail consolidating paint on the easter bunny​.

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WUDPAC Class of 2022 Fellow Abigail Rodriguez talks about her third-year internship at Smithsonian’s Hirshhorn Museum and Sculpture Garden, including her documentation and treatment of a 2009 Soundsuit by artist Nick Cave.
 
 
4/7/2022
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