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You know it is going to be an exciting summer when you begin
treatment of nine screenprints by Andy Warhol and a three-color lithograph by
Paul Cezanne in the first week of your internship. Such was the case for my
8-week internship at the Conservation Center for Art and Historic Artifacts
(CCAHA), the beginning of my year-long Grand Tour of Philadelphia’s paper
conservation labs.
I began to refer to my time at CCAHA as my “Summer of
Firsts” since the subsequent seven weeks were as packed with new and thrilling
challenges as the first. Among my hopes for my third year of graduate study was
to acquire my first hands-on experience with the treatment of screenprints,
parchment, platinum prints, and photographic albums, as well as with phytate
treatments for iron gall ink. With many thanks to my amazing supervisors at the
Center and the incredibly knowledgeable staff, I was able to experience all of
these in the first of my three internships.
My most extensive treatment project of the summer involved a
pair of platinum prints mounted on acidic boards. The mounts featured text identifying
the photographer indicating they were original to the photographs.
Unfortunately, both objects had experienced severe water damage and the mounts
were no longer stable. Treatment involved removing the photographic prints from
the mounts, bathing them to reduce stains and degradation products, and mending
tears.
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I was able to work with CCAHA’s digital imaging team to
create replica mounts onto which the treated photographs could be mounted. The
replicas were created by taking high resolution images of the damaged originals
and transferring the original text to a new document with the same format. The
new document featured colors chosen to be compatible with both photographs and
to approximate the color of the original mounts prior to light and water
damage. After remounting, losses along tears or abrasions were isolated with
dilute wheat starch paste and inpainted to match surrounding areas. Due to the
many steps and drying times for this project, my treatment extended into the
last week of August. As such, the official after treatment photographs are still
forthcoming. A sneak preview taken with my camera phone can be seen below.
The next step for the photographs is to be framed with
CCAHA’s signature sealed package before heading home. The next step for me is
six months at the Philadelphia Museum of Art followed by five months at the
American Philosophical Society. One city, three brilliant but vastly different
institutions, and a whole world of possibilities and challenges. If my summer
was any indication I am off to another great adventure.
— Joanna Hurd, WUDPAC Class of 2020
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In this blog post, WUDPAC Class of 2020 Fellow Joanna Hurd discusses starting her graduate internship experience and a summer treating prints by Warhol and Cezanne at Philadelphia’s Conservation Center for Art and Historic Artifacts.
9/2/2019
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