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The name “Basquiat" continues to attract international recognition; in August 2021, cultural icons Beyonce and Jay-Z posed with Equals Pi, a large canvas painting created by Jean-Michel Basquiat in 1982. Over the past decade, paintings by the artist (who died in 1988 at the age of only 27) have continued to sell for millions (Figure 1), sparking debate and intrigue among collectors, dealers, and art connoisseurs.
Art conservators are often able to offer background information relating to notable art sales and blockbuster exhibitions. UD almunae Kristin deGhetaldi, Emily MacDonald-Korth, and Christine Daulton are beginning to make useful discoveries about Basquiat's materials and techniques. The graduate-level Winterthur/UD Program in Art Conservation (WUDPAC) has earned recognition for producing graduates who excel in the analysis of art materials, whether it be studying a pigment particle on a canvas painting down to the micron or utilizing non-destructive imaging to peer beneath the upper layers of varnish and paint. The ultimate goals of conservation-driven studies are to learn more about the methods used by an artist or workshop in order to a) help inform art historians and scholars and b) to inform future generations about best methods for exhibiting and preserving works of art.
When it comes to works by Basquiat, it seems a UV light is key for inspecting his works (especially questionable paintings posing as authentic pieces). In 2012, workers at Christie's discovered Basquiat's signature on Orange Sports Figure hidden in plain sight; the signature and date were not easily detectable under normal visible light but became evident when viewed under long-wave UV light. Since then, a handful of experts working in the art world have come across similar findings as described by MacDonald-Korth in her 2019 article, featured in both ArtNet News and IIC News. Later that year, Dr. deGhetaldi had an idea about what to look for when she was confronted with examining Basquiat's monumental Flesh and Spirit painted in 1982-83 (Figure 2a).