Upload new images. The image library for this site will open in a new window.
Upload new documents. The document library for this site will open in a new window.
Show web part zones on the page. Web parts can be added to display dynamic content such as calendars or photo galleries.
Choose between different arrangements of page sections. Page layouts can be changed even after content has been added.
Open the Navigation Management window, which can be used to view the full current branch of the menu tree, and edit it.
Move this whole section down, swapping places with the section below it.
Check for and fix problems in the body text. Text pasted in from other sources may contain malformed HTML which the code cleaner will remove.
Accordion feature turned off, click to turn on.
Accordion featurd turned on, click to turn off.
Change the way the image is cropped for this page layout.
Cycle through size options for this image or video.
Align the media panel to the right/left in this section.
Open the image pane in this body section. Click in the image pane to select an image from the image library.
Open the video pane in this body section. Click in the video pane to embed a video. Click ? for step-by-step instructions.
Remove the image from the media panel. This does not delete the image from the library.
Remove the video from the media panel.
William Donnelly holds a
bachelor’s in fine art degree, with a concentration in sculpture, from the
University of Delaware and an MA in Preventive Conservation from Northumbria
University, Newcastle upon Tyne.
Shortly after completion
of his undergraduate degree, he accepted a position at the Delaware Art Museum
as an assistant preparator. In this position, he was introduced to
conservation issues such as framing of works on paper and construction of
climate packages for pre-Raphaelite works that were to travel with the ‘Waking
Dreams’ exhibit. He was also part of the team charged with the packing,
transport and reinstallation of the entire permanent collection to a temporary
venue during a complete renovation of the museum’s facility.
From the Delaware Art
Museum, William took an art handling position at Winterthur Museum, Garden
& Library. This new position honed his skills in object handling and
packing for transport. In addition, William gained valuable experience
developing logistical solutions related to the large-scale movement of
collection objects and crates as an installation courier for traveling
exhibitions and loans, as well as, the experience of representing Winterthur as
a guest in other institutions. In this position, he had his first experience
teaching as trainer for new employees in the museum’s object handling methodology.
In 2008, William joined the conservation department as a Conservation
Assistant. While based out of the textile lab, he was to assist other labs, the
exhibitions team and the registrar’s office with installations and
storage-related issues on an as-needed basis. His primary focus in the conservation
labs related to surface cleaning, storage housings, care in handling,
exhibition mounting solutions for textiles, monitoring and maintenance of both
the low temperature and low oxygen treatments for pest eradication.
For the WUDPAC program,
William assists Dr. Joelle Wickens with a storage housing and Collection’s
Emergency exercise during the 1st year preventive blocks and consults with 2nd
year preventive majors/minors on various assignments and research projects as needed.
William also assists Textile Conservator Laura Mina during 1st year
Textile block with exercises focused on issues surrounding the care for and the
mounting of textiles. William has also lead seminars for 2nd year
students, e.g. Brush/Spray Lacquer Seminar, Pest Eradication Using Ageless in
Anoxic Treatments and Sealed/Climate Packages for Paintings and Works on Paper.
Move this whole section up, swapping places with the section above it.